Creative Play

“Creative play” probably means different things to different people, and especially for artists. For me it is tied to “not working” though I think it can be an important part of the art and work process. To free me up I decide that there is no pressure to sell or even share whatever I am playing with. It often means trying something new as well. Maybe it will be the start of a series or a new technique, or maybe it will lead to nothing. Maybe I’ll stick it in a box and won’t decide to revisit it for several months or years, and then a snippet may become a solution to a problem down the road.

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Humans on the Landscape- Hannah Hinchman On Kinds of Nature Journals

Last summer I was putting together a presentation on field sketching and natural journaling and consulted the internet on one of my art heroes, Hannah Hinchman. I have several of her books, but she doesn’t have much of an online presence. However I did find this lovely discussion on four kinds of nature journals quoted on Morning-Earth.org in their series on Artist-Naturalists

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Summer Sketchbook

In the last year or so I’ve been changing up how I work. I’ve been taking more photographs when I travel, and spending more time working in my studio, working from photographs and specimens. Nevertheless field sketching has always been an important part of my practice, and remains so now.

I travelled a lot this summer so I mostly used my sketchbook to slow down and have a moment of reflection in a new place as well as to document the landscapes, plants, and other things I found. I thought it would be fun just to peek into the disorganized pages of my sketchbooks.

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A pond in the woods

I just got back from a trip to the north eastern United States to visit family. We decided to go in October so that we could get home to Alaska before winter set in too hard and so that we could catch some of the nice fall weather there. One of the places we went was my grandparents' cabin on a pond near Rangeley, Maine. This has always been a very special place to me.

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